No excuses, I really am rubbish at the discipline of writing a blog. I could give excuses, even some genuine reasons but if I'd reallywanted to, I'd have made the time. Sorry, can we start again?
To try and be better, I am going to try and take part in National Poetry Writing Month which entails writing a poem a day for the month of April. They may not be the finished article, but I'll try it.
Since my last blog I've done my first day in a school as a poet and I'm in the middle of a busy period of gigs, running workshops and festivals. I'm most excited about the Wenlock poetry festival at the end of April where I'll be running a workshop and performing. More later!
My website IS up to date (thank you Steve Clark) and full gig details etc are there. See
http://www.akickinthearts.co.uk/
If you're in the Cambridge area tomorrow, I'm doing a slot at the very Wooly Carnival of Fools at the Frank Lee Centre on the Addenbrookes Hospital site.
Whatever you do, don't be fooled tomorrow!
Mark
Thursday, 31 March 2011
Wednesday, 9 February 2011
February: So few days, so much to go to!
This was another busy week filled with wondrous poetic experiences so here goes.
On Tuesday 1st February, I had the honour to host Utter Sickness which featured Niall Spooner-Harvey, Fay Roberts and a debut reading of Richard Tyrone Jones' first show. In Richard Tyrone Jones has a Big Heart he tells the story of encountering heart failure at the age of 30 and the devestating effect it had on him. While this doesn't sound like a happy hour or so, it is positive, yet frank account with great touches of humour. You can find a link to a fuller review at http://www.behindthearras.com/pubreviews.html
Then I had a busy Saturday as I supported the Friends of Stony Stratford Library in the National Library Read in day. I was commissioned to write a poem and I also did a little song as well. Other local writers and authors kindly supported the event and there was a great turn out. We all hope for as positive outcome for the library.
Then in the evening, I was guesting at the marvellous Cabaret Clandestino in Oxford. A late night cabaret showcasing comedy, music, spoken word and ending with more music and dancing. Pete Bearder has built an enthusiastic and savvy audience and it was a pleasure to do an extended set. Many thanks to all for a great night.
This week I'm off to see Luke Wright on his national tour and competing in the East Midlands Slam which is part of the Leicester Comedy Festival on Saturday night (12th starts at 7pm at the Y theatre).
Have a good one yourselves. Keep writin' and recitin'
Mark
On Tuesday 1st February, I had the honour to host Utter Sickness which featured Niall Spooner-Harvey, Fay Roberts and a debut reading of Richard Tyrone Jones' first show. In Richard Tyrone Jones has a Big Heart he tells the story of encountering heart failure at the age of 30 and the devestating effect it had on him. While this doesn't sound like a happy hour or so, it is positive, yet frank account with great touches of humour. You can find a link to a fuller review at http://www.behindthearras.com/pubreviews.html
Then I had a busy Saturday as I supported the Friends of Stony Stratford Library in the National Library Read in day. I was commissioned to write a poem and I also did a little song as well. Other local writers and authors kindly supported the event and there was a great turn out. We all hope for as positive outcome for the library.
Then in the evening, I was guesting at the marvellous Cabaret Clandestino in Oxford. A late night cabaret showcasing comedy, music, spoken word and ending with more music and dancing. Pete Bearder has built an enthusiastic and savvy audience and it was a pleasure to do an extended set. Many thanks to all for a great night.
This week I'm off to see Luke Wright on his national tour and competing in the East Midlands Slam which is part of the Leicester Comedy Festival on Saturday night (12th starts at 7pm at the Y theatre).
Have a good one yourselves. Keep writin' and recitin'
Mark
Monday, 31 January 2011
My summary of Poetry scenes and a Bard Day's Night
Well it's been a great week or so since I last posted.
On Tuesday I had the honour to be the head of the judging panel to elect the inaugural Bard of Stony Stratford. After a wonderful night's entertainment Ian Freemantle was crowned the new Bard and a good job I think he'll go too. He'll be in office for a year and a day.
Next, an intriguing question was posed by Zena Edwards on her Facebook page: How many poetry scenes are there? I dashed off a list and it is reproduced below. Please excuse typos etc. What do you think?
This week I'm hosting Utter for RTJ with a brilliant line up that includes Fay Roberts, Niall Spooner-Harvey and Richard giving the fist outing to "Richard Tyrone Jones has a big heart". It at the Green Note Cafe in Camden. Come early to get a seat!
See you next week. Keep writin' and recitin'
Mark
How many Poetry "Scenes" are there?
I don't have the same experience in terms of years on the scene(s) but I have done over 150 gigs in the last two years so here's my take on the different strands of types of poetry events (The following list is not exhaustive as I'm thinkin...g of the top of my head).
1a Readings. Events where poetry is mostly read and tends to be more serious, thoughtful and contemplative in nature. Guest poets have several collections published and /or have won a prize or award or or up and coming have have a first collection out. Poets are applauded at the end of their reading and not after each poem. A genteel, mainly white middle class audience in my experience.
1b High end "elite" readings. These are nights (mercifully few) which terrify and intimidate me and stopped me getting up on stage for many years. What the man or woman in the street think poetry still is. Translations of 18th century Chilean poets, white people performing in West Indian patois, four people who have all been together in an insular capsule so long there all sound like each other. They occasionally write in the voice of Ahmed the orphaned Iraqi child when they themselves have never even left their county.
2 Regular Slams. Poetry in Competition with higher energy performance which tend to (sometimes unfairly but not always) favour comedy and / or the "but then you f***ed someone else" poem and / or poems with a message
3 Festival Slams: As above but with more chance of a "first look" audience. Comedy and / or literary parody favoured here. Sometimes you here the penny dropping that poetry can be entertainment as well as art. Sometimes people want to burn you as a witch.
4 Open Mic nights. A democratic experience where there's no special guest and everyone gets the same mic time. You generaly have a mixed bag of page and stage and sometimes musical backing. They can be awesomely brilliiant or tediously dull and most have elements of both extremes each time.
5 Open Mic with guests. As 4 except half the night is open mic but there is one or more special guests who take extended feature spots.
6 "Named" or" Branded" Performance Poetry events. They have an identity and each time you know the sort of poet you'll be seeing although the lineup may change. May incorporate some open slots or a small slam but most of the mic time is given over to booked guests
7 Theatre or Arts Centre type performances. Unless your name is on the poster you won't be taking the stage. Poetry as performance to engage the audience, convey a message, make they think or just enthrall them . God I wish I knew how to do this. May use visuals, music and other elements of multimedia. May have a theme or narrative.
8 Stand Up Poetry (for want of a better term) In the same environment as 7 but will have jokes, banter, patter inbetween poems. 98.7% of the time, the gig ends with a song
9 Bardic expressions. Nights and writers that invoke the spirit of Awen. Lyrical poetry dominates here often written to a theme such as "new life" etc. Music will be evident. Bongos will often be played, whether you like it or not.
10 Cabaret/Burlesque. Poetry is just one strand of a mixed evening of entertainment featuring comedy, music, sketches, dancing girls etc. The poems tend to be about sex.
11 Poetry Club read arounds. The poetry club sit in a circles and read poems on a theme. They could be original or previously published.
12 Well paid poetry. A mythical form of poetry that lives in the same spirit realm ar the Yeti, unicorms and Shergar.
As I say, this list is not exhaustive, but I'm exhausted so someone else can have a go
Mark Niel
On Tuesday I had the honour to be the head of the judging panel to elect the inaugural Bard of Stony Stratford. After a wonderful night's entertainment Ian Freemantle was crowned the new Bard and a good job I think he'll go too. He'll be in office for a year and a day.
Next, an intriguing question was posed by Zena Edwards on her Facebook page: How many poetry scenes are there? I dashed off a list and it is reproduced below. Please excuse typos etc. What do you think?
This week I'm hosting Utter for RTJ with a brilliant line up that includes Fay Roberts, Niall Spooner-Harvey and Richard giving the fist outing to "Richard Tyrone Jones has a big heart". It at the Green Note Cafe in Camden. Come early to get a seat!
See you next week. Keep writin' and recitin'
Mark
How many Poetry "Scenes" are there?
I don't have the same experience in terms of years on the scene(s) but I have done over 150 gigs in the last two years so here's my take on the different strands of types of poetry events (The following list is not exhaustive as I'm thinkin...g of the top of my head).
1a Readings. Events where poetry is mostly read and tends to be more serious, thoughtful and contemplative in nature. Guest poets have several collections published and /or have won a prize or award or or up and coming have have a first collection out. Poets are applauded at the end of their reading and not after each poem. A genteel, mainly white middle class audience in my experience.
1b High end "elite" readings. These are nights (mercifully few) which terrify and intimidate me and stopped me getting up on stage for many years. What the man or woman in the street think poetry still is. Translations of 18th century Chilean poets, white people performing in West Indian patois, four people who have all been together in an insular capsule so long there all sound like each other. They occasionally write in the voice of Ahmed the orphaned Iraqi child when they themselves have never even left their county.
2 Regular Slams. Poetry in Competition with higher energy performance which tend to (sometimes unfairly but not always) favour comedy and / or the "but then you f***ed someone else" poem and / or poems with a message
3 Festival Slams: As above but with more chance of a "first look" audience. Comedy and / or literary parody favoured here. Sometimes you here the penny dropping that poetry can be entertainment as well as art. Sometimes people want to burn you as a witch.
4 Open Mic nights. A democratic experience where there's no special guest and everyone gets the same mic time. You generaly have a mixed bag of page and stage and sometimes musical backing. They can be awesomely brilliiant or tediously dull and most have elements of both extremes each time.
5 Open Mic with guests. As 4 except half the night is open mic but there is one or more special guests who take extended feature spots.
6 "Named" or" Branded" Performance Poetry events. They have an identity and each time you know the sort of poet you'll be seeing although the lineup may change. May incorporate some open slots or a small slam but most of the mic time is given over to booked guests
7 Theatre or Arts Centre type performances. Unless your name is on the poster you won't be taking the stage. Poetry as performance to engage the audience, convey a message, make they think or just enthrall them . God I wish I knew how to do this. May use visuals, music and other elements of multimedia. May have a theme or narrative.
8 Stand Up Poetry (for want of a better term) In the same environment as 7 but will have jokes, banter, patter inbetween poems. 98.7% of the time, the gig ends with a song
9 Bardic expressions. Nights and writers that invoke the spirit of Awen. Lyrical poetry dominates here often written to a theme such as "new life" etc. Music will be evident. Bongos will often be played, whether you like it or not.
10 Cabaret/Burlesque. Poetry is just one strand of a mixed evening of entertainment featuring comedy, music, sketches, dancing girls etc. The poems tend to be about sex.
11 Poetry Club read arounds. The poetry club sit in a circles and read poems on a theme. They could be original or previously published.
12 Well paid poetry. A mythical form of poetry that lives in the same spirit realm ar the Yeti, unicorms and Shergar.
As I say, this list is not exhaustive, but I'm exhausted so someone else can have a go
Mark Niel
Monday, 24 January 2011
Some say it was historic.....
It's been a busy couple of weeks.
Firstly, a big shout out and thank you to Lorna Meehan and the Brummie massive for a great night as Rhymes held their annual Slam. I am honoured to be their new Champ for the year and I have taken the metaphoric mantle from poetry legend Spoz (He could have washed it first).
Then it was the exciting inaugural Poets and Promoters Forum in Wheatley near Oxford. A full report is below and thanks to everyone who attended and made it such a special day. Happy reading!
Mark
The first Tongue in Chic Poets and Promoters Forum took place on Saturday 22 January at the Railway pub, Wheatley, Oxford.
Background
The concept was to stage a networking event for poets and those who promoted spoken word events whether live, in print, radio etc. The Forum would give attendees a chance to renew established contacts; make new ones; talk about their plans for the year and put dates in the diary for readings etc. This pilot event was put together at short notice to gauge interest and see if the idea had genuine merit.
Attendance
Forty attendees came together from a wide geographical spread: Hastings, Brighton, Southampton, Petersfield, Bath, London, Cambridge, Milton Keynes, Oxford, Aylesbury, Birmingham, Leamington Spa and Bangor North Wales were all represented. A further dozen expressed interest but were unable to attend on the day.
The audience was made up of poets, event organisers, reps from spoken word organisations such as Apples & Snakes and Hammer & Tongue as well as small publishers of magazines, pamphlets, radio show producers etc and some members of the public who loved poetry and wanted to see what it was all about.
The Programme
The day consisted of a series of “Flash” (as in brief) presentations from attendees representing events, organisations and publishers so that the audience could identify contacts that would be of interest to them. These were in sets of three and then led to times of informal networking. There were also two sessions of formal networking opportunities which we called “Speed Dating for Poets” Attendees paired up with someone they didn’t know and each had two minutes to explain who they were, their area of interest and other details about themselves. After two minutes, the other person had their turn. Then you found someone else you didn’t know and started the process again. These were not compulsory but participation levels were good and many found them a useful starting point. The idea was to help people actually network
rather than stay in the comfort zone of talking to people already known to them. All the delegates had submitted short biographies for inclusion in a Forum Directory so each attendee had all contact details to hand.
We also included a short debate open to the floor on “Promoting the Art Form and Respecting the Artist”.
Feedback
The verbal feedback and “buzz” on the day was overwhelmingly positive. (Happily, people started talking to each other even before registration and didn’t stop all day). There are feedback forms to be evaluated and at a brief glance, many classified the event as Excellent or Very Good. No doubt improvements can be made for future events but the core proposition of holding regular Forums seems to be sound. Many found it useful and beneficial as shown by the selection of delegate’s comments below. It was also very encouraging to see evidence of new found contacts inter-acting on social networking sites in the days after the Forum. I intend to organise more Forums in the future (Perhaps 2 per year), ideally moving the location to different towns or cities.
Quotes
“…thank you for an event unique in my experience of the poetry scene (since the mid 90s)”
“Ever had the feeling you were part of something rather historic?”
“The Oxford event was brilliant”
Firstly, a big shout out and thank you to Lorna Meehan and the Brummie massive for a great night as Rhymes held their annual Slam. I am honoured to be their new Champ for the year and I have taken the metaphoric mantle from poetry legend Spoz (He could have washed it first).
Then it was the exciting inaugural Poets and Promoters Forum in Wheatley near Oxford. A full report is below and thanks to everyone who attended and made it such a special day. Happy reading!
Mark
The first Tongue in Chic Poets and Promoters Forum took place on Saturday 22 January at the Railway pub, Wheatley, Oxford.
Background
The concept was to stage a networking event for poets and those who promoted spoken word events whether live, in print, radio etc. The Forum would give attendees a chance to renew established contacts; make new ones; talk about their plans for the year and put dates in the diary for readings etc. This pilot event was put together at short notice to gauge interest and see if the idea had genuine merit.
Attendance
Forty attendees came together from a wide geographical spread: Hastings, Brighton, Southampton, Petersfield, Bath, London, Cambridge, Milton Keynes, Oxford, Aylesbury, Birmingham, Leamington Spa and Bangor North Wales were all represented. A further dozen expressed interest but were unable to attend on the day.
The audience was made up of poets, event organisers, reps from spoken word organisations such as Apples & Snakes and Hammer & Tongue as well as small publishers of magazines, pamphlets, radio show producers etc and some members of the public who loved poetry and wanted to see what it was all about.
The Programme
The day consisted of a series of “Flash” (as in brief) presentations from attendees representing events, organisations and publishers so that the audience could identify contacts that would be of interest to them. These were in sets of three and then led to times of informal networking. There were also two sessions of formal networking opportunities which we called “Speed Dating for Poets” Attendees paired up with someone they didn’t know and each had two minutes to explain who they were, their area of interest and other details about themselves. After two minutes, the other person had their turn. Then you found someone else you didn’t know and started the process again. These were not compulsory but participation levels were good and many found them a useful starting point. The idea was to help people actually network
rather than stay in the comfort zone of talking to people already known to them. All the delegates had submitted short biographies for inclusion in a Forum Directory so each attendee had all contact details to hand.
We also included a short debate open to the floor on “Promoting the Art Form and Respecting the Artist”.
Feedback
The verbal feedback and “buzz” on the day was overwhelmingly positive. (Happily, people started talking to each other even before registration and didn’t stop all day). There are feedback forms to be evaluated and at a brief glance, many classified the event as Excellent or Very Good. No doubt improvements can be made for future events but the core proposition of holding regular Forums seems to be sound. Many found it useful and beneficial as shown by the selection of delegate’s comments below. It was also very encouraging to see evidence of new found contacts inter-acting on social networking sites in the days after the Forum. I intend to organise more Forums in the future (Perhaps 2 per year), ideally moving the location to different towns or cities.
Quotes
“…thank you for an event unique in my experience of the poetry scene (since the mid 90s)”
“Ever had the feeling you were part of something rather historic?”
“The Oxford event was brilliant”
Tuesday, 11 January 2011
First of the year
I don’t really believe in New Year Resolutions but I will try and be a better blogger this year. Well, a more frequent blogger in any case. I was delighted to receive a positive reaction to my last post: a round up of 2010 including my poetry top 20. This inspired a number of people to make their list and many thanks to my friends in the East Kent area who re-posted the link.
So how’s 2011 working out for you? I’m pleased to say mine has been great so far as I won the Best Performance by a UK Poet category at the Farrago Zoo Awards. Many thanks to all who voted for me and congratulations to all the winners. It was also a pleasure to see Rachel Pantechnicon grace the stage and it always lifts my spirits to see her perform.
I took part in Pure and Good and Right’s Open Mic in Leamington last night and this featured special guest Bohdan Piasecki. I’ve seen Bohdan perform a few times but only one or two poems at a time. So it was a treat to see an extended set of real quality and a polished performance. (I didn’t mean that as a pun when I first wrote it but I’m claiming it now).
Tonight I’m visiting the excellent Scribal Gathering in Stony Stratford then I will be concentrating on preparing for the first Poets and Promoters Forum in Oxford on Saturday 22 January. I felt there was a need for poetry people to get together at the start of the year, share their plans and put dates into the diary. So this is a hastily arranged pilot event to see if others feel the same and if so, we can arrange more in the future. The Forum will feature Flash Presentations from Promoters, Speed dating for Poets and a Forum Discussion as well as lots of opportunities to network.
To register, please email me at markniel@gmail.com with your contact details and a 50 word biography for the Forum Directory (£3 registration fee payable at theforum) by Wednesday 19 January. The Forum will take place from 3pm to 6pm with networking over drinks/a meal from 6pm to 8pm. (Please indicate if you wish to stay for a meal).
Best wishes and make this your year! Keep writin’ and recitin’
Mark
So how’s 2011 working out for you? I’m pleased to say mine has been great so far as I won the Best Performance by a UK Poet category at the Farrago Zoo Awards. Many thanks to all who voted for me and congratulations to all the winners. It was also a pleasure to see Rachel Pantechnicon grace the stage and it always lifts my spirits to see her perform.
I took part in Pure and Good and Right’s Open Mic in Leamington last night and this featured special guest Bohdan Piasecki. I’ve seen Bohdan perform a few times but only one or two poems at a time. So it was a treat to see an extended set of real quality and a polished performance. (I didn’t mean that as a pun when I first wrote it but I’m claiming it now).
Tonight I’m visiting the excellent Scribal Gathering in Stony Stratford then I will be concentrating on preparing for the first Poets and Promoters Forum in Oxford on Saturday 22 January. I felt there was a need for poetry people to get together at the start of the year, share their plans and put dates into the diary. So this is a hastily arranged pilot event to see if others feel the same and if so, we can arrange more in the future. The Forum will feature Flash Presentations from Promoters, Speed dating for Poets and a Forum Discussion as well as lots of opportunities to network.
To register, please email me at markniel@gmail.com with your contact details and a 50 word biography for the Forum Directory (£3 registration fee payable at theforum) by Wednesday 19 January. The Forum will take place from 3pm to 6pm with networking over drinks/a meal from 6pm to 8pm. (Please indicate if you wish to stay for a meal).
Best wishes and make this your year! Keep writin’ and recitin’
Mark
Friday, 17 December 2010
My Poetry Top 20 of 2010
As we come to the end of the year, it seems like I’m finding my feet on the poetry circuit. I feel I can call myself part of the spoken word scene without feeling a fraud, so here is an “end of term” report from my perspective. I’ve had a wonderful time where positive experiences have far outweighed the negative or indifferent (though inevitably, there have been some less pleasant episodes) and I’m excited about the now and the future of Spoken Word. It has been a pleasure to meet new people who are dedicated to either the craft or the promotion of poetry and I am delighted at the warmth and camaraderie that exists between so many practitioners and promoters.
By the end of December I will have performed at 95 gigs this year as a poet in England and Wales from North Shields to Plymouth and from Brecon to Suffolk. If I didn’t get to you this year, please excuse me and I’ll do my best to get there next year (or better still, please invite me). Obviously, no one can get to everything and see everyone so please don’t take offence if you disagree with my list and feel free to make your own. I work in the medium of performance poetry so naturally my list is slewed towards that niche in the broad church of prosody.
So, here is my top twenty(ish) poetry people, organisations, events and experiences of 2010. I say twentyish as I’ve grouped some people and activities together as they were so closely related. Listing them separately might have meant compiling a top 50.My heartfelt thanks to everyone who has written, edited, published, sold, bought, read, performed, promoted, watched or championed poetry and spoken word this year. Have a great break over Christmas and New Year. Come back refreshed and inspired next year and let’s run faster, jump further and soar higher.
Keep writing and reciting and here's a poem for you.
Mark
Caesura
This is merely a moment’s rest
To savour kisses the muse has bestowed
A chance to wonder at the stars
And watch angel’s wings unfold
To let our pens try and catch their breath
To search our soul and tend its fire
To reflect on the good friends made and
Those who have entertained and inspired
To learn from the wrong turns taken
To chart our course from fresh readings
And gather our courage to take the less worn path
No matter where it’s leading
Mark Niel's Top 20 of 2010
Aisle 16
Most of my contact with the Aisle 16 collective this year has been with Tim Clare, although I recently attended the launch of Ross Sutherland’s new collection “Twelve Nudes”. I have also enjoyed listening to Luke Wright on Radio 4’s Saturday Live. Aisle 16 are an outrageously talented collective of poets/comedians/writers producing excellent and interesting work. Their shows seem to have the difficult knack of garnering quality media coverage. I envy them this knack but I am pleased whenever spoken word makes an infrequent appearance in the national media.
Apples and Snakes
This leading spoken word organisation has delivered an excellent programme year with inventive shows and development opportunities for artists. I will declare a personal interest in that I was selected as one of the poets for the Public Address tour alongside Saran Green, Matt Windle, Hannah Silva and Mike Edwards. Taking part in such a tour was an honour but I also gained a new found respect for A&S’s programming skill. The five poets were so diverse in style, content and delivery yet made a great complementary night. This didn’t just mean there was something for everyone but the show themed around “Home” was so much more than the sum of its parts. It showcased the invention and diversity of the contemporary spoken word scene and allowed artists the opportunity to perform to new audiences. As well as this, the All Star Tour continues into the New Year featuring Kat Francois and Kate Tempest among others in another high quality, high concept show.
Bang said the Gun
Huge, huge kudos goes to the “Bang Said the Gun” posse. Dan. Robert and Martin were brave enough to stage a show a week in 2010. They have featured a stellar line up of spoken word stars and managed to retain an audience and do the odd “Away-day” or poetry exchange. We loved entertaining them at Tongue in Chic and we took eight poets down to their gaff in the return fixture. A lively, fun, buzzing atmosphere enhanced by glow sticks, shakers and Martin knocking the hell out the bar top has earned them plaudits from poets, promoters and the press too.
Bristol Poetry Festival
The Poetry Can quietly go about their work promoting poets, events and producing two Poetry Festival seasons a year in Bristol, centred round the Arnolfini. My involvement this year was as Captain of the Oxford Slam Team (The Dreaming Liars) as we went head to head to head with teams from Glasgow and Bristol. Everything about this event was a delight from Colin Brown’s precision administration to a wonderful and appreciative audience. Expertly hosted by Glenn Carmichael and Claire Williamson an exciting night saw The Oxford team triumph (my fellow poets were Pete the Temp Bearder, Tina Sederholm and Mac McFadden) but in the end (lapsing into sporting cliché) poetry was the real winner!
David J
In this top twenty and I will be naming three individual poets who I regard as the best of British artists I’ve seen so far. These poets are uniquely different and they each entertain, inspire, captivate and make me want to be better at my art. David J (Vocal Pugilist) is the first of them and the quality his work and performance is in my opinion and without hyperbole, brilliant. He is so good; he almost makes me want to give up. Combining vocal acrobatics, an awesome stage presence, rock solid material and delivery, it is a crime he is not better known, lauded, applauded and rewarded. How about a special rate of tax on the outrageous sums earned by rap acts and X factor style producers so that talents such as David J can flourish? The sad fact is that where Britain has got real talent, it is ignored. If you have the chance to see David J perform always take it. Forget having a night in. Clear your diary, book a sitter or do whatever you have to, but go see him.
Farrago Poetry
John Paul O’Neill has been organising Slams in the UK since 1994 and is one of the leading candidates for the “hardest working person in poetry” tag. Farrago base their events around the RADA Foyer Bar and the nights are a skilful blend of experienced feature acts, emerging voices making debuts and of course a Slam. Farrago was the scene of my “light bulb moment” in 2008 when at my fourth ever appearance as a poet I was blown away by an amazing night (in spite of being narrowly pipped to the Slam win) and thought “Why can’t we have nights like this in Milton Keynes”? The seed for Tongue in Chic was sown. JP works tirelessly and the feature line ups are always solid and frequently spiced up by an international artist.
Jo Bell/ National Poetry Day
Jo Bell is a wonderful poet and writer in her own right and does so much to promote poetry. Jo is the Director of National Poetry Day which would be enough work for anyone to take on but not Jo. This year she was a driving force behind the “Bugged” project which encouraged writers of different disciplines to find inspiration by eavesdropping on 1st July. This was such a simple, yet inventive idea and the submissions poured in. The anthology featured ten guest writers but the majority of the pieces were from writers selected via open submission. It’s been a pleasure to meet Jo and watch her perform at various Poetry Slams and Festivals this year.
Kat Francois / Word 4 Word
I first met Kat last year at a weekend of poetry in Southampton. Like you do when you’re networking I got her details, became friends on Facebook and made a note to try and get to one of her events. I eventually got round to entering one of the Word 4 Word Slams at the Stratford Royal Theatre bar in East London. I was not prepared to be exposed to the force of nature that is Kat’s personality let loose on a stage where she in her element! Kat is a poet and comedian and took no prisoners and she did fifteen minutes of material demanding the audience’s attention and telling those who wanted to chat to “Go outside, it ain’t raining”! She set the scene brilliantly and only when she was satisfied the room was no longer “dry” did she start the slam. I will never forget her pre-match talk to the Slammers in the competition. If England had taken her to South Africa, surely we would have won the World Cup. Watch out for Kat in 2011.
Mab Jones
Mab is another poet who also promotes. Mab is based in South Wales and her poetry is engaging, humourous and unafraid to address serious issues. Mab has performed at events as diverse as literary festivals and burlesque nights and it is testament to her that she does so with aplomb. Mab seems to work tirelessly organising workshops, gigs as well as performing wonderful witty (and sometimes rude) poetry. She is a gem and a wonderful ambassador for Welsh wordsmiths.
Mark Gwynne Jones
Mark is another of my choices for one of the best three poets I’ve seen this year. Mark seems to have been around for ages yet still seems to be Performance Poetry’s best kept secret. I had the pleasure of seeing Mark with his band Psychicbread which was a wonderful experience in itself but it is for his solo appearances I name him here. I have always admired poets who can captivate an audience with just their words and a microphone and when Mark visited Tongue in Chic in September, I felt I had just watched a master class in how Performance Poetry. Mark draws audiences in and speaks at his own pace giving enough background to a poem without giving the poem away. He can be softly spoken or dynamic and he is always entertaining whether the subject is serious or flat out funny. For me the key thing is Mark is the same off stage as on. He brings his own energy, rhythm and world to the performance space and it’s a world I would love to live in.
Milton Keynes Poetry Scene (Poetry Kapow/ Monkey Kettle/ Scribal Gathering/ Speakeasy/ Structo Magazine)
Yeah, it’s a home town plug but what of it? I am confident that if more of you came to MK events (and you should) there’d be on your list on merit too. What can I say about poetry colleagues? They are brilliant, talented and committed. Monkey Kettle is a cottage industry poetry and other stuff magazine that this year celebrated its ten year anniversary. matthew michael taylor has encouraged and supported many of us by giving us our first taste of publication. Poetry Kapow has gone from strength to strength with wonderful themed shows, dressed sets and full houses. Fay Roberts and Danni Antagonist are talented and busy poets in their own right and they run these nights as a labour of love. It has been great to see them blossom as talents on the poetry scene and share their company on the way. Scribal Gathering is run by Richard Frost and friends. Richard is another wonder MK based poet and he has created a perfectly judged mix of music and poetry each month in Stony Stratford, a town with a string folk music tradition. On top of getting a great event off the ground, he has got the local council to endorse the position of Bard of Stony Stratford which will be elected in January next year. Speakeasy continues to support and encourage writers as it has done for over 25 years and Structo magazine is a recent addition to the MK scene but produces quality magazines filled with poems, short stories and essays of incredibly high quality. All this and there’s no culture in MK?
The One World Club (London and Milton Keynes)
One of my aims is to take poetry to spaces and audiences who would not normally experience poetry. Although they are mainly music based nights, the One World Club http://www.oneworldclub.co.uk has been a lovely discovery that both audiences have welcomed poetry to their stages. The nights run a combination of open mic spots, invited artists and sometimes feature “Showcase slots” of 15 to 20 minutes. I had the honour to be the first poet to be allocated a showcase slot and found that the audiences although seeing something new quickly embraced Performance Poetry. The OWC stages nights with excellent music performers and I very enjoyed the gigs at Stony Live and Hither Green this year.
Rum Punch
I had the honour to play the Rum Punch gig in September run by Saran and Comfort. It is amazing to keep finding gigs with devoted followings. In the basement of Rudy’s Revenge in Holborn you will find a packed crowd (and I do mean packed, I made the mistake of sitting at the back when I got there early and had to literally force my way through to get to the microphone) giving their love to singers, poets and comedians. I appreciated how warm
and receptive the crowd were and thanks goes to the “Partnas in Rhyme” for their skills in compereing and putting together a great programme.
Spiel / Cheltenham Literature Festival
Spiel are Marcus Moore and Sara-Jane Arbury and they run a full programme of slams, workshops, schools work and performances. I always feel in safe hands when competing in a Spiel Slam. They are well produced and organised and I thank them for staging poetry slams at high profile events such as the Cheltenham Literature Festival. As well as their work in Slams they are talented poets giving polished performances and it is a treat when they get to fill a gap with a poem. Playing Cheltenham this year was a pleasure and I will cherish the memory of the audience reaction this year. It also helps that they are lovely people.
Steve Larkin / Hammer and Tongue
Steve Larkin is another unsung hero of Performance Poetry. I include him in this top twenty not just for his performances and Hammer and Tongue gigs but for taking the bold step of running for the chair of Professor of Poetry at Oxford University. This highlighted Performance Poetry and put it firmly at the centre of the debate about contemporary poetry. Intelligent creative moves such as this will help move poetry forward and Steve is another poet who deserves to be better known.
Rrrants / The Antipoet
I first met the Antipoet last year when we gigged together in St Albans. They have been a breath of fresh air on the circuit and feature Paul’s witty verse underscored by Ian’s smoking double bass riffs. Funny, entertaining (and sometime ranting) they light up any gig they play. Not content with that, they (along with admin and management powerhouse Donna) run Rrrants who have organised dozens of gigs in and around London and given stage time to a plethora of poets, musicians, story tellers, comedians, parodists and ranters. I thought I was busy but they have burned the candle and both ends and in the middle and on top of that are the loveliest people too. I’m always pleased to share gigs with them and I’m proud to call them friends
Tongue in Chic inc Buxton Fringe and other travels
Okay, no surprise in naming my own gig here but let me make my case on the quality of guest poets: David J, Tim Clare, Dizraeli, Mark Gwynne Jones, Gerry Potter, Jo Bell. As well as the MK gigs, we took a showcase to the Buxton Fringe where we covered our costs and got a nice review as well as an Poetry exchange with Bang said the Gun in London (They brought three poets to us; we took eight down there, so we win! We look forward to a re-match next year) We also published an anthology “Reflections from Mirror City” featuring most of our guest poets from 2009 and twenty-four of our open mic poets. I’m pleased to day the initial run of 500 books has just about sold out and we managed to cover our costs plus a little bit. We also ran the first Midlands Poetry Slam at the Newhampton Arts Centre and we’d like to go back to that brilliant venue.
The thing I’m most proud of is the catalytic effect on local poets. They have been motivated to travel and perform around the country from London to the Edinburgh Festival and it’s been a pleasure to see them win slams, commissions and be picked up by key organisations. We have started the invasion and we’ll be back in 2011.
Utter / Richard Tyrone Jones
Utter has run a programme of events in London including themed gigs, writing workshops etc. As well as that he managed a full run of Edinburgh spoken words gig allowing many poets to perform there who couldn’t have done so under their own steam. RTJ has done an outstanding job and has continued to do so even in spite of serious health issues this year. He is a committed writer and promoter who provides opportunities for others, giving so much of his time for little personal gain.
Wenlock Poetry Festival
Wenlock held their first Poetry Festival this year hosting Carol Ann Duffy and Roger McGough among others and put on a weekend of various activities. This is all credit to Anna Dreda and her co workers who deserve enormous credit for pulling the whole thing off in a Shropshire village with a population of less than 3000.
Zena Edwards
Zena is the last (but by no means least) of the top three poets I’ve seen perform in 2010. Zena brings such presence to the stage and she can effortlessly move from humourous character studies to lyrical pieces and song. Zena’s singing voice is so beautiful and mellifluous it should be available on the national health for sufferers of stress. It is a joy to watch someone who has worked at their craft and like many of the best poets it is a crime Zena is not better known, valued and rewarded. Zena’s closing piece sung in Zulu to her own kalimba accompaniment has stayed long in the memory. Another example of a poet at the top of their game.
By the end of December I will have performed at 95 gigs this year as a poet in England and Wales from North Shields to Plymouth and from Brecon to Suffolk. If I didn’t get to you this year, please excuse me and I’ll do my best to get there next year (or better still, please invite me). Obviously, no one can get to everything and see everyone so please don’t take offence if you disagree with my list and feel free to make your own. I work in the medium of performance poetry so naturally my list is slewed towards that niche in the broad church of prosody.
So, here is my top twenty(ish) poetry people, organisations, events and experiences of 2010. I say twentyish as I’ve grouped some people and activities together as they were so closely related. Listing them separately might have meant compiling a top 50.My heartfelt thanks to everyone who has written, edited, published, sold, bought, read, performed, promoted, watched or championed poetry and spoken word this year. Have a great break over Christmas and New Year. Come back refreshed and inspired next year and let’s run faster, jump further and soar higher.
Keep writing and reciting and here's a poem for you.
Mark
Caesura
This is merely a moment’s rest
To savour kisses the muse has bestowed
A chance to wonder at the stars
And watch angel’s wings unfold
To let our pens try and catch their breath
To search our soul and tend its fire
To reflect on the good friends made and
Those who have entertained and inspired
To learn from the wrong turns taken
To chart our course from fresh readings
And gather our courage to take the less worn path
No matter where it’s leading
Mark Niel's Top 20 of 2010
Aisle 16
Most of my contact with the Aisle 16 collective this year has been with Tim Clare, although I recently attended the launch of Ross Sutherland’s new collection “Twelve Nudes”. I have also enjoyed listening to Luke Wright on Radio 4’s Saturday Live. Aisle 16 are an outrageously talented collective of poets/comedians/writers producing excellent and interesting work. Their shows seem to have the difficult knack of garnering quality media coverage. I envy them this knack but I am pleased whenever spoken word makes an infrequent appearance in the national media.
Apples and Snakes
This leading spoken word organisation has delivered an excellent programme year with inventive shows and development opportunities for artists. I will declare a personal interest in that I was selected as one of the poets for the Public Address tour alongside Saran Green, Matt Windle, Hannah Silva and Mike Edwards. Taking part in such a tour was an honour but I also gained a new found respect for A&S’s programming skill. The five poets were so diverse in style, content and delivery yet made a great complementary night. This didn’t just mean there was something for everyone but the show themed around “Home” was so much more than the sum of its parts. It showcased the invention and diversity of the contemporary spoken word scene and allowed artists the opportunity to perform to new audiences. As well as this, the All Star Tour continues into the New Year featuring Kat Francois and Kate Tempest among others in another high quality, high concept show.
Bang said the Gun
Huge, huge kudos goes to the “Bang Said the Gun” posse. Dan. Robert and Martin were brave enough to stage a show a week in 2010. They have featured a stellar line up of spoken word stars and managed to retain an audience and do the odd “Away-day” or poetry exchange. We loved entertaining them at Tongue in Chic and we took eight poets down to their gaff in the return fixture. A lively, fun, buzzing atmosphere enhanced by glow sticks, shakers and Martin knocking the hell out the bar top has earned them plaudits from poets, promoters and the press too.
Bristol Poetry Festival
The Poetry Can quietly go about their work promoting poets, events and producing two Poetry Festival seasons a year in Bristol, centred round the Arnolfini. My involvement this year was as Captain of the Oxford Slam Team (The Dreaming Liars) as we went head to head to head with teams from Glasgow and Bristol. Everything about this event was a delight from Colin Brown’s precision administration to a wonderful and appreciative audience. Expertly hosted by Glenn Carmichael and Claire Williamson an exciting night saw The Oxford team triumph (my fellow poets were Pete the Temp Bearder, Tina Sederholm and Mac McFadden) but in the end (lapsing into sporting cliché) poetry was the real winner!
David J
In this top twenty and I will be naming three individual poets who I regard as the best of British artists I’ve seen so far. These poets are uniquely different and they each entertain, inspire, captivate and make me want to be better at my art. David J (Vocal Pugilist) is the first of them and the quality his work and performance is in my opinion and without hyperbole, brilliant. He is so good; he almost makes me want to give up. Combining vocal acrobatics, an awesome stage presence, rock solid material and delivery, it is a crime he is not better known, lauded, applauded and rewarded. How about a special rate of tax on the outrageous sums earned by rap acts and X factor style producers so that talents such as David J can flourish? The sad fact is that where Britain has got real talent, it is ignored. If you have the chance to see David J perform always take it. Forget having a night in. Clear your diary, book a sitter or do whatever you have to, but go see him.
Farrago Poetry
John Paul O’Neill has been organising Slams in the UK since 1994 and is one of the leading candidates for the “hardest working person in poetry” tag. Farrago base their events around the RADA Foyer Bar and the nights are a skilful blend of experienced feature acts, emerging voices making debuts and of course a Slam. Farrago was the scene of my “light bulb moment” in 2008 when at my fourth ever appearance as a poet I was blown away by an amazing night (in spite of being narrowly pipped to the Slam win) and thought “Why can’t we have nights like this in Milton Keynes”? The seed for Tongue in Chic was sown. JP works tirelessly and the feature line ups are always solid and frequently spiced up by an international artist.
Jo Bell/ National Poetry Day
Jo Bell is a wonderful poet and writer in her own right and does so much to promote poetry. Jo is the Director of National Poetry Day which would be enough work for anyone to take on but not Jo. This year she was a driving force behind the “Bugged” project which encouraged writers of different disciplines to find inspiration by eavesdropping on 1st July. This was such a simple, yet inventive idea and the submissions poured in. The anthology featured ten guest writers but the majority of the pieces were from writers selected via open submission. It’s been a pleasure to meet Jo and watch her perform at various Poetry Slams and Festivals this year.
Kat Francois / Word 4 Word
I first met Kat last year at a weekend of poetry in Southampton. Like you do when you’re networking I got her details, became friends on Facebook and made a note to try and get to one of her events. I eventually got round to entering one of the Word 4 Word Slams at the Stratford Royal Theatre bar in East London. I was not prepared to be exposed to the force of nature that is Kat’s personality let loose on a stage where she in her element! Kat is a poet and comedian and took no prisoners and she did fifteen minutes of material demanding the audience’s attention and telling those who wanted to chat to “Go outside, it ain’t raining”! She set the scene brilliantly and only when she was satisfied the room was no longer “dry” did she start the slam. I will never forget her pre-match talk to the Slammers in the competition. If England had taken her to South Africa, surely we would have won the World Cup. Watch out for Kat in 2011.
Mab Jones
Mab is another poet who also promotes. Mab is based in South Wales and her poetry is engaging, humourous and unafraid to address serious issues. Mab has performed at events as diverse as literary festivals and burlesque nights and it is testament to her that she does so with aplomb. Mab seems to work tirelessly organising workshops, gigs as well as performing wonderful witty (and sometimes rude) poetry. She is a gem and a wonderful ambassador for Welsh wordsmiths.
Mark Gwynne Jones
Mark is another of my choices for one of the best three poets I’ve seen this year. Mark seems to have been around for ages yet still seems to be Performance Poetry’s best kept secret. I had the pleasure of seeing Mark with his band Psychicbread which was a wonderful experience in itself but it is for his solo appearances I name him here. I have always admired poets who can captivate an audience with just their words and a microphone and when Mark visited Tongue in Chic in September, I felt I had just watched a master class in how Performance Poetry. Mark draws audiences in and speaks at his own pace giving enough background to a poem without giving the poem away. He can be softly spoken or dynamic and he is always entertaining whether the subject is serious or flat out funny. For me the key thing is Mark is the same off stage as on. He brings his own energy, rhythm and world to the performance space and it’s a world I would love to live in.
Milton Keynes Poetry Scene (Poetry Kapow/ Monkey Kettle/ Scribal Gathering/ Speakeasy/ Structo Magazine)
Yeah, it’s a home town plug but what of it? I am confident that if more of you came to MK events (and you should) there’d be on your list on merit too. What can I say about poetry colleagues? They are brilliant, talented and committed. Monkey Kettle is a cottage industry poetry and other stuff magazine that this year celebrated its ten year anniversary. matthew michael taylor has encouraged and supported many of us by giving us our first taste of publication. Poetry Kapow has gone from strength to strength with wonderful themed shows, dressed sets and full houses. Fay Roberts and Danni Antagonist are talented and busy poets in their own right and they run these nights as a labour of love. It has been great to see them blossom as talents on the poetry scene and share their company on the way. Scribal Gathering is run by Richard Frost and friends. Richard is another wonder MK based poet and he has created a perfectly judged mix of music and poetry each month in Stony Stratford, a town with a string folk music tradition. On top of getting a great event off the ground, he has got the local council to endorse the position of Bard of Stony Stratford which will be elected in January next year. Speakeasy continues to support and encourage writers as it has done for over 25 years and Structo magazine is a recent addition to the MK scene but produces quality magazines filled with poems, short stories and essays of incredibly high quality. All this and there’s no culture in MK?
The One World Club (London and Milton Keynes)
One of my aims is to take poetry to spaces and audiences who would not normally experience poetry. Although they are mainly music based nights, the One World Club http://www.oneworldclub.co.uk has been a lovely discovery that both audiences have welcomed poetry to their stages. The nights run a combination of open mic spots, invited artists and sometimes feature “Showcase slots” of 15 to 20 minutes. I had the honour to be the first poet to be allocated a showcase slot and found that the audiences although seeing something new quickly embraced Performance Poetry. The OWC stages nights with excellent music performers and I very enjoyed the gigs at Stony Live and Hither Green this year.
Rum Punch
I had the honour to play the Rum Punch gig in September run by Saran and Comfort. It is amazing to keep finding gigs with devoted followings. In the basement of Rudy’s Revenge in Holborn you will find a packed crowd (and I do mean packed, I made the mistake of sitting at the back when I got there early and had to literally force my way through to get to the microphone) giving their love to singers, poets and comedians. I appreciated how warm
and receptive the crowd were and thanks goes to the “Partnas in Rhyme” for their skills in compereing and putting together a great programme.
Spiel / Cheltenham Literature Festival
Spiel are Marcus Moore and Sara-Jane Arbury and they run a full programme of slams, workshops, schools work and performances. I always feel in safe hands when competing in a Spiel Slam. They are well produced and organised and I thank them for staging poetry slams at high profile events such as the Cheltenham Literature Festival. As well as their work in Slams they are talented poets giving polished performances and it is a treat when they get to fill a gap with a poem. Playing Cheltenham this year was a pleasure and I will cherish the memory of the audience reaction this year. It also helps that they are lovely people.
Steve Larkin / Hammer and Tongue
Steve Larkin is another unsung hero of Performance Poetry. I include him in this top twenty not just for his performances and Hammer and Tongue gigs but for taking the bold step of running for the chair of Professor of Poetry at Oxford University. This highlighted Performance Poetry and put it firmly at the centre of the debate about contemporary poetry. Intelligent creative moves such as this will help move poetry forward and Steve is another poet who deserves to be better known.
Rrrants / The Antipoet
I first met the Antipoet last year when we gigged together in St Albans. They have been a breath of fresh air on the circuit and feature Paul’s witty verse underscored by Ian’s smoking double bass riffs. Funny, entertaining (and sometime ranting) they light up any gig they play. Not content with that, they (along with admin and management powerhouse Donna) run Rrrants who have organised dozens of gigs in and around London and given stage time to a plethora of poets, musicians, story tellers, comedians, parodists and ranters. I thought I was busy but they have burned the candle and both ends and in the middle and on top of that are the loveliest people too. I’m always pleased to share gigs with them and I’m proud to call them friends
Tongue in Chic inc Buxton Fringe and other travels
Okay, no surprise in naming my own gig here but let me make my case on the quality of guest poets: David J, Tim Clare, Dizraeli, Mark Gwynne Jones, Gerry Potter, Jo Bell. As well as the MK gigs, we took a showcase to the Buxton Fringe where we covered our costs and got a nice review as well as an Poetry exchange with Bang said the Gun in London (They brought three poets to us; we took eight down there, so we win! We look forward to a re-match next year) We also published an anthology “Reflections from Mirror City” featuring most of our guest poets from 2009 and twenty-four of our open mic poets. I’m pleased to day the initial run of 500 books has just about sold out and we managed to cover our costs plus a little bit. We also ran the first Midlands Poetry Slam at the Newhampton Arts Centre and we’d like to go back to that brilliant venue.
The thing I’m most proud of is the catalytic effect on local poets. They have been motivated to travel and perform around the country from London to the Edinburgh Festival and it’s been a pleasure to see them win slams, commissions and be picked up by key organisations. We have started the invasion and we’ll be back in 2011.
Utter / Richard Tyrone Jones
Utter has run a programme of events in London including themed gigs, writing workshops etc. As well as that he managed a full run of Edinburgh spoken words gig allowing many poets to perform there who couldn’t have done so under their own steam. RTJ has done an outstanding job and has continued to do so even in spite of serious health issues this year. He is a committed writer and promoter who provides opportunities for others, giving so much of his time for little personal gain.
Wenlock Poetry Festival
Wenlock held their first Poetry Festival this year hosting Carol Ann Duffy and Roger McGough among others and put on a weekend of various activities. This is all credit to Anna Dreda and her co workers who deserve enormous credit for pulling the whole thing off in a Shropshire village with a population of less than 3000.
Zena Edwards
Zena is the last (but by no means least) of the top three poets I’ve seen perform in 2010. Zena brings such presence to the stage and she can effortlessly move from humourous character studies to lyrical pieces and song. Zena’s singing voice is so beautiful and mellifluous it should be available on the national health for sufferers of stress. It is a joy to watch someone who has worked at their craft and like many of the best poets it is a crime Zena is not better known, valued and rewarded. Zena’s closing piece sung in Zulu to her own kalimba accompaniment has stayed long in the memory. Another example of a poet at the top of their game.
Sunday, 4 July 2010
Ledbury and Buxton (What a difference a week makes!)
Well, last week I died a death and this week I have the honour to be crowned Ledbury Poetry Festival Slam Champion! Many thanks to Marcus and Sara-Jane from Spiel for running another excellent Slam and to my fellow poets. This was an excellent night of poetry with a real variety of styles from character-based work to lyrical verse. I think this is probably the strongest line up in a Slam I've seen and no wonder as Ledbury is a leading Poetry Festival in the UK.
I have to apologise to my good friend Mac McFadden as we faced each other head to head in the final but there was some great stuff from Adrian Mealing, Heather Wastie, Cat Brogan and Kess Tamblyn (look out for her!) By a very narrow margin, I won out against Mac and brought home a collection of prizes including cider, jam (Prince Charles' Duchy original jam no less) and other lovely bits and pieces.
After a gig in London this Thursday (Bang Said the Gun! at the Roebuck pub in Borough) we get ready to take Tongue in Chic to the Buxton Fringe from 16 to 18 July alongside our sister comedy show from Milton Keynes, "The Bright and Shiny Radio Show". We're at Nat's Kitchen in Market Street and we're looking forward to a great time.
Keep writin' and recitin'
Mark
I have to apologise to my good friend Mac McFadden as we faced each other head to head in the final but there was some great stuff from Adrian Mealing, Heather Wastie, Cat Brogan and Kess Tamblyn (look out for her!) By a very narrow margin, I won out against Mac and brought home a collection of prizes including cider, jam (Prince Charles' Duchy original jam no less) and other lovely bits and pieces.
After a gig in London this Thursday (Bang Said the Gun! at the Roebuck pub in Borough) we get ready to take Tongue in Chic to the Buxton Fringe from 16 to 18 July alongside our sister comedy show from Milton Keynes, "The Bright and Shiny Radio Show". We're at Nat's Kitchen in Market Street and we're looking forward to a great time.
Keep writin' and recitin'
Mark
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